March 29 – April 4
CiM colour tests
This week I started with a treat and got out my CiM sample pack. Spacers above of most of them. I haven’t done Peace, Hades, Stoneground, Canyon de Chelly or Khaki – Peace because it is white, Hades because it is an intense black and a spacer would be a waste, and the last three so far because they work best as reactive bases for other things (also because they are expensive and I only have very skinny rods of the first two!). I might reconsider that, though. I already know I really like Stoneground from a little bit added to a more recent bead.
It’s nice glass to melt – I was particularly impressed by the transparents. Pulsar and Clockwork felt lovely. I’ve noticed that a lot of the opaques got much darker round the mandrel – particularly noticeable on Thai Orchid, Glacier and Celadon.
For some reason, I’m still finding it rather difficult to take pictures of red and purple beads and get the colours right if there are other colours in the picture too. Possibly a combination of my camera settings and jpeg compression. The reds come out hugely saturated and darker than they should be. The picture should be reasonably accurate (by my monitor at least!) but the purples should still be a bit lighter. Oh, and Lipstick varies depending on the type of lighting – it’s brownish there but much redder in sunlight or halogens.
Opalinos and turquoise
I bought up someone else’s stash of opalinos – it seemed like a good opportunity to try them out! The UK suppliers don’t tend to carry them and they’re one of the things newbies get warned off because they aren’t always strictly compatible with other colours and burn easily. I really liked them – didn’t have a problem with them getting too hot on my hothead and I was careful but they didn’t seem to be shocky. And I love the results! Here we have nile green, periwinkle and carnelian opalinos. The transparent baby blue bead was me trying carnelian opalino stringer on it – not very noticeable! Then I did some dark turquoise beads with black stringer design.
I started doing some experiments with this – it’s the straw yellow plus iris gold frit version. The first pic is just that, wound directly on from the rod and encased in clear. The blues are fairly dark and the whole thing has a slight cola overtone in some lights, particularly noticeable along the mandrel. I think this might have something to do with straw yellow being machinemade now – certainly I’ve seen people saying that the current available batches aren’t as good as older ones.
The second is straw yellow with iris gold frit, pulled into stringer and wrapped over a tube of clear then encased. I was wondering if that would give less cola colour. Not so much! You can see blues from some angles, but not in this photo :p
I did a couple more experiments with it this week too – should be in next week’s post!
I really like these. Light grey transparent core, which I handshaped into ovals, then added diagonal stringer lines in black, anise white and carnelian opalino. Melted in, gravity swirled, reshaped and then mashed flat. Pretty!