[June 1 – 6]
The two on the right are CiM dirty martini bases, with a twistie of magic and hades on the rightmost, and MCD and hades on the other, then encased. The magic didn’t strike. (The MCD developed brighter colour after annealing). The other two are a white latticino twistie wrapped round a black base.
This one didn’t work very well, but it does show my rainbow murrini. It is a mid amber lentil with a couple of green twisties on top.
I am really pleased with the way this one came out. It is a clear core encased in CiM khaki, with Kugler silver green frit that I reduced, then a bit of clear striped over the top, and some of my complex green murrini. I love the way it looks like it has water washing over it.
The Theme of the Month Challenge was June Bug this month, so I tried making ladybird murrini. I had to fight a bit with a huge gather, and I now know why people like stainless steel punties for pulling larger amounts of glass. The ends warped, so the ladybirds from there have no heads! They can be added onto a bead anyway, so they can still be used, but I would rather like some proper punties… (I have had no luck trying to use other glass rods as punties. Something always gets too cold and falls off/shatters exactly when I don’t want it to. I have been pulling my murrini using stainless steel chopsticks, which works well if they’re bullseye-style and you make a relatively small amount at once).
And the colour of the month was Effetre 026 teal. I’ve included in the picture the teal hollow I made a while ago to show the batch variation you can get – it’s much bluer than the (probably older) batch I have more of. There’s a spacer, the hollow, three bases with different twisties wrapped round, and two with teal bases, white dots, more teal on top.
This is a periwinkle opalino lentil with trails of teal on top. It has a watery effect (looks better in person – in the photo the periwinkle seems to come more to the front).
A ladybird bead: I made a core of lime green, added bome very fine black stringer lines and mostly encased it in dark grass green. Then I added my ladybird murrini, capped with clear and patted in a bit. (There’s one on the back I melted in flat and didn’t cap. It didn’t come out well). Then there’s a 3D ladybird I made in situ on a base of dark grass green. Finally there’s the METAtropolis bead take 1, with a P&T black oblong, white and mid amber dots and ladybird murrini.
Teal and CiM kryptonite lentil, with a twisted line of SIS around the centre and complex green murrini.
METAtropolis bead take 2. P&T black tab shape, fine clear stringer for the brickwork and two handmade ladybirds. (P&T black will stay black under transparents).
P&T black lentil with vine cane and ladybird murrini that have been capped with clear.
Dark lavender and CiM kryptonite lentil, with SIS swirl and Jolene’s purple murrini. Dark lavender is a lovely colour, though it colour changes to blue under incandescent light (as here).
A sandy, beachy lentil. Ivory, silver foil and Jolene’s orange murrini.
Reichenbach caramel and flamingo testing. I did these because Melanie of MindMelt did some colour testing of flamingo, and her description of the rods she had sounded a lot more like the caramel I had. Since I had a rod of each, I thought I’d compare them.
L to R:
1. Clear lentil part encased in copper green, with flamingo trails. The copper green reduced a fair amount.
2. Caramel round (did this previously).
3. Caramel reduced.
4. Flamingo reduced – both these go metallic.
5. Copper green on caramel.
6. Copper green on flamingo.
7. Silver foil on caramel.
8. Silver foil on flamingo.
9. Clear, encased in copper green, caramel on left, flamingo on right.
I didn’t get such impressive results as Melanie, and the colours on top of copper green didn’t get the outlines hers did, but I have an idea why not. It has happened before for me that colours you would expect to get large reaction lines with (and which do when they are rounds) don’t do it nearly so much when I press them as lentils. I am suspecting that when I add the surface decoration to the lentil, the base isn’t getting hot enough for the glasses to react together properly. On the lentils here you can see some pitting on the top colour where the raised parts got too hot when I was melting them in, but they still haven’t properly sunk in to the base. Need to adjust my technique, I think. Possibly the copper green layer was also too thin in this case.
Anyway, my results do show that caramel and flamingo react in exactly the same ways in these tests. Caramel is just always browner and flamingo is always pinker. They both reduce to metallic like Reichenbach’s iris colours, and are very pretty doing so.
Ivory lentil with orange twisties from Jolene wrapped around. Thermal shocked, so it has a crack down the centre.
Reichenbach silver brown again: tiny cores and Laura Sparling’s thick encasing method. They’re better than my previous efforts, but I was still getting the inside too hot.