When these came out of the kiln, you could say that I was pleased!
Triton caterpillar over CiM mermaid (you can see a little bit of mermaid in the second pic, but not much is visible) with SiS on one end and a magic+hades twistie on the other. Look at the colours in the magic!
The next one uses Ekho:
Using Anouk’s secret recipe for hot pinks! Actually, I have no idea if that is a secret or not, but she is doing a third silver glass tutorial that will cover it. I think the wraps on the ends were multicolour dark.
This is aurae spiralled over Reichenbach mystic pink. The wisps have more iridescence in person. The surface is triton dots and one of my triton murrini, believe it or not! I think I reduced multiple times for it to end up like this.
I haven’t quite got as good results since, from the ekho at least. But I’ve been zipping about trying out different glass, so it probably just needs a bit of attention. I like triton, it’s well-behaved!
This BHB is raku over opaque orange, encased and with multicolour dark on the ends. Plus my triton murrini, that were reduced and then covered in dots of clear. This has made them go a paler blue-silver. I was surprised how the raku came out! It’s unusually uniform and looks rather like standard multicolour. I do like the colour though – it’s muted but very pretty.
I also created an enormous fugly monstrosity of a lentil that has many things wrong with it, but these things happen!
At this point, my silver glass stash included triton and aurae, plus some stringers (including the Ekho) and single rods I got from Knatty Dreadz when he was still selling them. It didn’t take me very long after the class to place a nice big order with Double Helix for their seconds! (These are rods that have failed visual quality control – ie they may be slightly knobbly or curved or oval. To be honest, I can’t tell the difference with most of them, and most glass manufacturers would happily sell them as firsts. Got me some aether too – their clear, which I am yet to try).
When it comes to clear, Anouk recommends Reichenbach 1011 crystal, because it doesn’t affect the colour of the silver glass and can also be worked long and hot without ill effects. The beads above are using Effetre 006 because it’s what I had. My batch is decent, but I have noticed you can’t work it quite as hot.
A final thing to sign off: this is mystic pink with stormed supernova dots and clear dots. Lauscha supernova isn’t the same as Double Helix reduction colours: you don’t get an easy surface sheen by reducing it – I spent a long time and it stayed purple! It’s a very nice purple, though. However, it can be stormed. Storming is a technique by Amy Kinsch, see her tutorial Taking Reduction Glass By Storm.