Posts Tagged frit testing
Do excuse the vanishing act. I’ve been very busy doing a whole load of things. I’ve decided that it’s pointless to try and catch up on all the posts I’ve meant to make, so will just start here.
So, what’ve I been up to?
In April I officially became self-employed (as well as being full-time employed). I became a UK distributor for Farbglashütte Lauscha, so I’m importing lovely glass from Lauscha in Germany and selling it on my website at Lauscha.co.uk. I’m also gradually getting through colour testing it all, because we don’t have that kind of information as available as we do for other manufacturers. I’m posting the results on my website as well as on the Frit-Happens and Craft Pimp forums.
(If you’re interested, my testing typically goes plain spacer, spacer reduced or etched, silver leaf, silver leaf reduced and encased, psyche, terranova 2 frit, white, CiM tuxedo, CiM stoneground, copper green, ivory, then for transparents there may be frit painting with iris gold and a spacer over white. Plus testing with any other colours I think might be interesting).
I’ve been to some classes, all at Di East’s studio in Enderby, Leicester: By George, it’s Lush with Julie Fountain and George Harper-East in June, where we made beads the first day and made them up into jewellery the second. Di East taught Sarah Hornik’s Glass & Colour class at the end of July when Sarah got refused entry into the UK – she also had an open day immediately after which I stayed for and shared a table for my first time selling glass at a fair.
I went to Tuffnell Glass’s free Summer Bash in August – two days playing with glass and I camped with a tent I’d got specially! I had my first go with boro there and made some marbles. (I mean to try soft glass ones too as soon as I get the time…)
On Saturday I’m doing a figure class with Lucio Bubacco. Eeeek! I’ve never done anything like this before so should learn a lot. I did a bit of practicing this week – off-mandrel sculpture in soft glass is a very different way of working. There are photos up of what Lucio demoed on Wednesday – they are just amazing.
Here are some of my tests (click to go to Flickr to see more).
I’m getting ready for the GBUK AGM and Bead Fair on Saturday 24th September at the Loyd Lindsay Rooms, Ardington, Oxfordshire. I have a table booked there and will be selling my beads for the first time as well as Lauscha glass, so I’m busily making stock and trying to sort out how I will display it and all those many things.
Phew! There have also been a few fun swaps going on – there was a twistie swap earlier in the year that I got a bit over-enthusiastic about and made piles of twisties! I’ve just sent my murrini in for a murrini swap, and I’m quite pleased with a couple of the recipes I came up with. I have a charm swap due at the end of September…
I’m also doing a little bit of testing for Kaz’s monthly limited edition murrini and frit blends.
It’s all go, and I’m having a great time! I decided that this was the year I would go for classes and attend events, while I am still full-time employed and have the disposable income. I’m intending to go part-time so I have more time for glass, which requires the courage to actually leave or alter my rather dull job. I think I’d probably be better off leaving entirely and applying for something different part-time, but I know how things work here and there would be Change! So I keep putting that part off, but the days when I manage to get a decent amount of glassy work done are so much more satisfying that I know I have to do it eventually. I’m waiting for restructuring at my boyfriend’s workplace to be over, then I think I’m out of excuses. (He’s happy for me not to have a part-time job at all. I’m… not. I get issues about money and the spending thereof in that situation).
Life! It’s full of stuff! :)
Ferry Cross the Mersey
Not a full test, but I played about with this a bit. Left is a white base with silver leaf, frit on top and superheated, the ends encased in clear and then it was pressed. Right is a white base, the frit was painted on with clear, then I added some silver brown dots that were reduced and dot encased, then it was pressed. Not successful since the silver brown is the browny-ambery areas…
The bird is made of clear dipped in the frit and painted on.
Nice deep blues in this frit, and lots of saturation for using with clear.
Over white, over light pink and encased, frit painted, over straw yellow with twists, and on a light pink barrel.
A light and summery blend. Purty. I used light pink instead of white as the base for a couple of these since this blend has white in it. I really like the one with twists over straw yellow. It has a nice suggestion of roses. I imagine a set of those would look rather good etched.
Do Wah Diddy Diddy
First three: over white, over white and encased, and frit painted.
There’s a nice selection of colours in here, with the spring green and browns giving a foresty feel, then the deep blue and aqua add some extra zing.
The last two are superheated over white and with swirls over straw yellow. You can kinda see in the frit painting and the straw yellow nugget that there’s definitely a reactive glass in there that goes iridescent. Very tricky trying to capture it on camera!
First three: on white, on white and encased, frit painted. This has got one of the striking glasses that I’ve never managed to strike on my hot head in it, so some of the yellowy-brown patches will do other things if you can make them work! But it’s a nice jungly mix like this, and I really like the frit-painting one. The last one is over ivory with silver leaf. The photo is picking up more colour variation than you normally see with the ivory – it’s a bit blander in person and I think could have done with more frit on it.
L: superheated over white. R: heated and swirled over pale green apple. Back: over straw yellow, encased in Reichenbach antique green.
Rock Me Gently
Again I start with the frit over white, over white and encased, and frit painted. This is lovely. I like it better encased as I tend to frizzle the pinks if they’re on the surface. Really pretty on its own, and the frit painting one is gorgeous. The heart is a base of CiM heffalump, and it’s encased in Effetre rose quartz. Hand-shaped as I don’t have a heart press… yet!
Here’s another view of the heart.
This is a BHB that I encased badly (again in Effetre rose quartz). It has a little ink blue in it too.
Aaand I tried another heart! Over CiM kryptonite this time, encased in clear. The shape’s not quite as good.
Spirit in the Sky
Mmmm, lovely watery blues and greens. Like before, over white, over white and encased, frit painting with clear. Then I have it over avocado and over avocado and encased. I really like the last one, a couple of the colours have developed faint outlines and I like the blues with the yellow-brown. The dark blue has a fuzzy brown shadow around it.
The bicone is ivory with cobalt ends. I wanted to see how much the greens reacted.
I was surprised by the amount of brown in this when I got them out. They are as above, then the last lentil is over avocado with random dot encasing. Er, didn’t work, it doesn’t go with the pinks. I need to think about background colours for this, now I know what it looks like. I’m not quite sure what I should use it with.
I then tried a few more different things.
This is on top of ivory with silver leaf.
Over white, over pale green apple, over straw yellow with antique green wrap. The pale green apple cylinder is meh and muddy.