Posts Tagged green
This is a gorgeous colour – a bluish grey that isn’t entirely opaque. CiM have it described as an opalino – it’s less opalino than some. From the rod you assume it’s opaque, when working it remains looking surprisingly transparent, then when it comes out you have a slight softness to the surface (and a lot of lovely mottling, for me anyway!)
Spacers: the right two are etched. The darker spacers had more glass added right at the end and not struck so much – it goes lighter, bluer and more opaque the more it is worked.
The gremlin has come out similarly: not very much difference from the longer working time – the lips are lighter and the mottling is less visible on them.
This egg got plenty of mottling while being worked. The stripe is Effetre white, which has feathered into the grey and started swallowing the thin caboose stripe. The dots are tortoise and have kept crisp edges though have reacted in the centres. (French grey is an excellent egg colour! Adds all the interest itself).
I know a lot of people were intrigued by this one! Described as a blue canyon de chelly and with the ability to strike different shades.
My spacers came out different shades, but mostly on the green side. Etches fine and is pretty that way.
My gremlin has more variation, with that blue-purple that came out in the middle of the lips! The eyelid tends a little more to blue as well.
This needs testing with silver glass as well, to see what happens there.
This egg is a base of caboose (no devit issues this time) over 006 with tortoise dots – they’ve stayed lovely and sharp on top, without very much variation.
I got a lovely big pile of new colours to test and then had kiln controller issues, which means so far I have only had time to try these two!
This colour surprised me! Look at the difference between the rod colour and (most of) the beads. Those spacers were batch annealed because of the aforementioned kiln problems, and before they went in the kiln they were much more like the rod colour – still swirly with transparent and less transparent areas, but a yellow ochre rather than a green ochre. The gremlin went into the kiln straight away, and they all came out like this! Which frankly I find far more interesting.
A spacer close-up: I etched the left two. I’m not what I did to the warmer-coloured one differently than the others – struck it less? The stripe round the middle suggests I added a small last amount of glass to match size with the previous one. (Which I did, though I couldn’t tell you with which bead).
End-on: those green variations make me happy! The rightmost bead in particular: I just find the distribution pleasing.
I made a gremlin with little red flowers. You can see it’s opaque enough as lips and eyelid, but there’s still glow and reflected light from transparent/translucent areas. The feet are yellower and more transparent – they were done towards the end, just before I added the vine, so they get much less in-and-out of the flame. There’s an area on top of the lip that’s gone yellow again too. That’s next to where I heated and raked a bit of the vine, so that’s consistent with it being the initial colour and the green developing as it strikes more, unless you reset it.
Overall, the swirliness and colour differences remind me of some of the Vetro odds, but a lighter, non-cored colour. I’d like some more, which I hadn’t thought I would from the rod alone.
This is a coral red. It does look slightly darker here under my halogen light than under incandescents or sunlight, but it doesn’t change nearly as much as some reds. It’s pretty uniform and not streaky, which can again be an unwanted issue with many opaque light reds.
Spacers, left two etched.
A little gremlin with steely blue flowers.
This one’s quite a small gremlin!
Mahogany is a really nice warm opaque brown, that is properly brown rather than dark red.
I used Tiger Lily for the pumpkins on this gremlin, and you can see that the opacity varied a lot. Some of the pumpkin segments stayed very transparent.
These bicones have a base of Mahogany, with a wrap of Poppy round the centre, and the largest has a thin wrap of Tiger Lily on top of that. This was in the same sessions as the gremlins, so I didn’t actually know they weren’t opaque at that point! Tiger Lily especially looks pretty opaque in the rod. So the result is rather more subtle than I was expecting.
Cobblestone is a nice slightly brownish grey. Fairly uniform and non-streaky here.
I used Double Helix Okeanos on top of Cobblestone here (unreduced), and got some fab colours! The Cobblestone has fumed darker and browner around the dots especially. Showing both sides, as one is bluer and one greener.
I decided to do more combos with Mahogany. These are small rounds with a tiny core of clear, to make my rod of Mahogany go further. Definitely a true opaque! I wrapped one in fine silver wire, the next has a wrap of SIS, then Cobblestone dots, a spiral of black, and finally spreading dots of Reichenbach Kermit (a special: SPL1000).
I did the same thing with Cobblestone, here you go:
They’re both nice colours to use like this, and look great with each other, both staying crisp in the dots. They are both somewhat reactive with the silver, ivory and green, but not overwhelmingly so.
This was another recycled/found and no-spend challenge.
“Using only found natural materials such as feathers, leaves, fir cones, twigs, whatever you can find in nature, make a wearable piece of art, such as a brooch, necklace, earrings, hair band, embellished hat, tiara etc.”
The thread for this Craft Pimp February 2014 challenge is here.
I have a small collection of beach pebbles I picked up at Brighton, so decided to use three of those. They’re a dark grey-brown-green and still quite glossy. I picked out a longer one for a pendant and two of roughly the same size for earrings. I used copper wire to wrap them securely, then patinated them with liver of sulphur until they were really black. I tumbled them to bring the copper back up to gunmetal, and hand-polished the top surfaces back some more.
The earwires are my niobium ones, which go well with antiqued copper. I hung the pendant on brown Greek leather cord.
We had to include a picture of it being worn, which is a bit tricky to photograph one’s self! So excuse the blurriness.
A couple more comparisons between the limited edition colours.
Green Lantern is greener than absinthe or aloe juice, which are bluer. (Doesn’t show up so well here, but by eye it is). Aloe juice is also less saturated.
Marine is partway between trade winds and tuscan teal – it’s greener and lighter than trade winds but bluer than tuscan teal. None of them are anywhere near as dark as leaky pen.
With the opaque greens, I have included cardamom and Effetre grasshopper green. It Ain’t Easy Being is very much bluer, cardamom is heading more towards the lime end, mint chip is muted and grasshopper green is more saturated. The CiM greens can kind of give the same impression when you look at them one at a time, but they’re definitely different when side-by-side.
Here are the other CiM limited editions I tested at the weekend.
It Ain’t Easy Being
Greeeeeen! Not a Kermit green though, a light blue-tinged green.
I made a gremlin! (Over a core of clear). Marine behaved fine thus far making the little hearts on top of this green.
Here’s a comparison between It Ain’t Easy Being and Mint Chip, which was in the last lot of limited editions. The new green is a bluer one.
Flax is a very pale yellow transparent.
I did the heart to see if it did the faux boro effect with iris gold frit, like Effetre straw yellow. No! Ah well, bit of a fugly heart as a result. (The little hearts have marine or green lantern over It Ain’t Easy Being).
Hazelnut Mousse and Jupiter Storm
These are another pair in the beige range. Hazelnut mousse is on the left here. It strikes a little, as visible on one of the spacers, and is a warm beige. The heart with Double Helix psyche dots has gone a darker brown, as you would expect.
Jupiter storm is the interesting one. It starts as a grey beige and strikes to an orangey colour. Good for silver glass – the psyche dots are sharp and have little outlines. Unusually, it hasn’t fumed from the silver glass – the orange is from striking.
I made a gremlin too – this angle is to show that the psyche heart is right next to a more unstruck part that is still grey – no colour change from being next to the silver glass.
Gremlin! I like this colour – it works like Effetre tongue pink, but is sufficiently different. Tongue pink is white when unstruck, not greyish, and it strikes to a less orange hue than jupiter storm does. Tongue pink also fumes much more.
More to come next time – I have a fair few reds and oranges to test too.
I’ve been sent some more CiM limited editions to test! I believe some if not all of these will be available in the UK fairly shortly.
Jellyfish is a colour-shifting lavender. It looks bluer under halogens and pinker under incandescents or sunlight.
It is also a very close match in colour to Effetre dark lavender, which is becoming increasingly hard to get hold of since Effetre haven’t made any new batches in a while. The round bead is a jellyfish core, then Double Helix psyche and encased in jellyfish. I can’t say whether it’s the same effect as you get from dark lavender and psyche (anyone around who uses that combo often? I’m still bad at keeping psyche reduction under encasement), but the electric blues from the psyche are pretty good, and if you want a dark lavender-alike for the colour on its own, then this would definitely be up your street.
A lovely deep teal blue.
Sadly, it seems to have incompatibility issues when encasing white, which is a real shame because the combo looks great. These two are Effetre white and you can see multiple cracks.
The next day I made another two, one with peace and another with Effetre just to make sure I hadn’t done something stupid. In this case, the one with peace has the crack, running into the dot, centre right from the top of the bead – the Effetre hadn’t yet at the time of taking this photo, but I wouldn’t be at all surprised if one turns up in a few days. Incidentally, you can see the difference in density between the peace and Effetre white dots – peace is less bright and has more noticeable rings inside the dots.
The heart is marine over Effetre white, gravity swirled. Even with the colour this thin, there are cracks (and very definitely incompatibility ones, at that).
From another angle. The crack comes down from partway through the top lobe, then changes direction towards us. That ain’t thermal.
I’ll need to try it over a few other things – I am guessing light opaques like dirty martini may be ok to use as a base as that’s a bit stiffer. Still a shame!
A pretty transparent green. I haven’t put it side-by-side with any of the other greens yet.