Posts Tagged psyche
The last two are a pair of pretty transparents.
Ice Floe is a lovely pale icy blue. Gorgeous on its own in nuggets. The bead at the back has a base of Effetre clear, rolled in silver leaf and encased in Ice Floe – the silver’s definitely silver, so this could be a handy encasing colour to prevent it going gold. For the ribbed bead, I did a small core of Notos, which has lost most of the iridescence leaving a slightly aqua-tinged centre. Ice Floe did develop some trails of microbubbles in all these beads, but that’s less of a problem in a colour like this – they look watery not scummy. I don’t think I really noticed while making the beads, or I could have tried working it a little differently.
Trapeze is another dark lavender-alike… but this one looks and photographs as purple under halogens rather than blue! It does look *more* purple in sunlight, but it definitely colour-shifts far less than the others. So if that shift annoys you, this is a fab alternative. For the ribbed bead, I encased a base of Double Helix Psyche. That worked much better here than the last time I tried it!
So in sunlight it still has a lot more oomph… but if you weren’t looking at the two pics side-by-side like this, the above one still gives a better impression of the purple than the baby blue you get with dark lavender.
Here are the other CiM limited editions I tested at the weekend.
It Ain’t Easy Being
Greeeeeen! Not a Kermit green though, a light blue-tinged green.
I made a gremlin! (Over a core of clear). Marine behaved fine thus far making the little hearts on top of this green.
Here’s a comparison between It Ain’t Easy Being and Mint Chip, which was in the last lot of limited editions. The new green is a bluer one.
Flax is a very pale yellow transparent.
I did the heart to see if it did the faux boro effect with iris gold frit, like Effetre straw yellow. No! Ah well, bit of a fugly heart as a result. (The little hearts have marine or green lantern over It Ain’t Easy Being).
Hazelnut Mousse and Jupiter Storm
These are another pair in the beige range. Hazelnut mousse is on the left here. It strikes a little, as visible on one of the spacers, and is a warm beige. The heart with Double Helix psyche dots has gone a darker brown, as you would expect.
Jupiter storm is the interesting one. It starts as a grey beige and strikes to an orangey colour. Good for silver glass – the psyche dots are sharp and have little outlines. Unusually, it hasn’t fumed from the silver glass – the orange is from striking.
I made a gremlin too – this angle is to show that the psyche heart is right next to a more unstruck part that is still grey – no colour change from being next to the silver glass.
Gremlin! I like this colour – it works like Effetre tongue pink, but is sufficiently different. Tongue pink is white when unstruck, not greyish, and it strikes to a less orange hue than jupiter storm does. Tongue pink also fumes much more.
More to come next time – I have a fair few reds and oranges to test too.
I’ve been sent some more CiM limited editions to test! I believe some if not all of these will be available in the UK fairly shortly.
Jellyfish is a colour-shifting lavender. It looks bluer under halogens and pinker under incandescents or sunlight.
It is also a very close match in colour to Effetre dark lavender, which is becoming increasingly hard to get hold of since Effetre haven’t made any new batches in a while. The round bead is a jellyfish core, then Double Helix psyche and encased in jellyfish. I can’t say whether it’s the same effect as you get from dark lavender and psyche (anyone around who uses that combo often? I’m still bad at keeping psyche reduction under encasement), but the electric blues from the psyche are pretty good, and if you want a dark lavender-alike for the colour on its own, then this would definitely be up your street.
A lovely deep teal blue.
Sadly, it seems to have incompatibility issues when encasing white, which is a real shame because the combo looks great. These two are Effetre white and you can see multiple cracks.
The next day I made another two, one with peace and another with Effetre just to make sure I hadn’t done something stupid. In this case, the one with peace has the crack, running into the dot, centre right from the top of the bead – the Effetre hadn’t yet at the time of taking this photo, but I wouldn’t be at all surprised if one turns up in a few days. Incidentally, you can see the difference in density between the peace and Effetre white dots – peace is less bright and has more noticeable rings inside the dots.
The heart is marine over Effetre white, gravity swirled. Even with the colour this thin, there are cracks (and very definitely incompatibility ones, at that).
From another angle. The crack comes down from partway through the top lobe, then changes direction towards us. That ain’t thermal.
I’ll need to try it over a few other things – I am guessing light opaques like dirty martini may be ok to use as a base as that’s a bit stiffer. Still a shame!
A pretty transparent green. I haven’t put it side-by-side with any of the other greens yet.
To test the striking colours in circumstances where they’re more likely to strike, I made pressed lentil beads.
Radio Flyer: definitely opaque-looking.
Bing: has opacified a bit more. You can see the mandrel hole, but I’d list this as semi-opaque.
Absinthe: still very transparent.
Tandoori: has struck much oranger and has gone cloudy. (Though slightly unevenly at one end, which is lighter than the other). I also did a bead with psyche scrolls on tandoori – the psyche shows up as dark blue with plenty of shine and the tandoori has darkened more.
Here’s a close up of the tandoori beads.
Next I tested mint chip with copper green and psyche.
The mint chip has gone a bit streaky under both of these, but more so with the psyche. The copper green has done its thing where it goes darker in the centre with a pale halo, but it has also greyed up a great deal. Psyche has fumed the base yellow and is showing up as brownish purple. That’s fairly expected.
Here is psyche on the other neutrals.
Cake batter has stayed very clean-looking and has only been fumed a very small amount. The psyche appears very brown.
Antique Lace is a bit streaky, has stayed a pinkish brown and the psyche is fairly brown.
Muskmelon has gone streakier and fumed darker, and the psyche has blue hints. This seems the most reactive base out of the three.
Lauscha sent me two new batches of reds to test. We have SNT 220 (07/02/13 batch) and SNT 219 (11/02/13 batch). I also have an older batch of SNT 220 that I included for comparison.
Here’s a nice labelled picture of them all. You can see that both new batches are fairly similar at a glance, and both are oranger and more transparent than the darker, tending-to-translucent old SNT 220. (I do very much like the old batch – it is similar to CiM maraschino in that it is semi-opaque when used thickly, giving a lovely depth of colour).
I’ll go over each type of bead side-by-side now.
First we have the spacers. I did not attempt any deliberate striking of these as I wanted to see whether they were auto-striking or needed a little more effort. So I just made four spacers on each mandrel and put them in the kiln. I was surprised how unstruck the SNT 219 ones came out, because they appeared darker when I put them in the kiln.
Verdict: unlike the old SNT 220, they definitely need to be deliberately struck. From the later beads, they don’t seem difficult to strike, but for spacers the attention needs to be paid.
These two beads were rounded off in a bead roller and have a wrap of Double Helix psyche, heavily reduced. (Excuse the iffy end!) This was the darkest red I got out of either colour. Both base beads are still transparent, though – you can see into them. The difference in outlines round the psyche is may just be due to the way it was melted in, rather than the base – it’s difficult to tell without further testing.
These two little beads show how they stand up to being layered. I used Effetre white to make stacked dots. The new SNT 220 came out darker than the SNT 219, which is very orange in the dots. Both had a tendency to unstrike between layers – the SNT 219 was trickier to stay struck at the end.
Finally, I made a pair of sculptural roses to see how they behaved when repeatedly heated and cooled, since these go in and out of the flame repeatedly as I add each petal. Both roses remained mostly transparent – the SNT 220 has a little cloudiness whereas the SNT 219 is almost perfectly transparent. The SNT 219 has stayed a little less struck in the centre and at the outer edges of some petals, which is a lovely effect in this kind of bead. Both are still orange-tinted reds.
Both of these are very nice reds. There was no tendency to go brown in either of them. I’d probably pick one rather than both as they’re quite similar, it’s just tricky to choose which one! The 219 is lovely as a rose while the 220 is better in dots and probably marginally easier to strike.
For further testing, I plan to make the same beads with my old SNT 220, and to make a plain lentil bead in all three of the reds. I may make a heart in the two new reds too.
CiM have some more colours out: here’s my test results of a pair of rather nice neutrals.
Cardamom is a pale pastel green and linen is an opaque creamy beige.
The closest colour I have so far to cardamom is Effetre grasshopper green, shown on the left as a comparison. It is darker. I etched one of each pair of these spacers.
I decided to test cardamom against grasshopper green in terms of reactions. Many greens get a dark reaction line with yellows and reds: grasshopper green actually doesn’t.
The colours I used for the dots are: Effetre bright acid yellow, CiM creamsicle, Effetre light red, coral and light sky blue. You can see that only light sky blue reacted with grasshopper green, and none of them reacted with cardamom. Cardamom’s also a very nice uniform green – no streaks, and the colour dots sit very cleanly on it. There’s a bit of fuzziness around the edges of the light red on grasshopper, and the yellows and coral have slight rings in the centre on it, making them look a little untidy.
Here are linen and cardamom together.
This side of the bead has copper green stringer. This is the same bead as the one below, so the copper green probably developed slightly more grey reduction than it normally would, despite my best efforts to only reduce one side. The copper green is showing some of its haloing effect and both linen and cardamom show some streaks under it.
The other side of the bead has psyche stringer. The psyche has reduced better on top of linen: more purples and less brown. The silver glass has made the linen darken and the cardamom go yellower. There are some separation lines on both colours echoing the stringer lines, but they appear much cleaner than with the copper green. I wouldn’t really choose to use cardamom with silver glass based on this, but I love how clean it is with the dots above. One to appreciate for itself!
I did some testing of Lauscha SNO 630 caramello recently.
It’s a creamy, caramelly warm beige that looks good with reduced silver leaf. It’s also really nice to use instead of white in black-and-white scrollwork beads, for a warmer but still crisp and elegant look.
You can see the full results here: Caramello Testing on Lauscha.co.uk.