Posts Tagged white
Indian Summer is an interesting one – it’s a striking amber.
I took an on-mandrel pic to show the striking.
Here are Indian Summer and Dirty Laundry spacers. Indian Summer didn’t etch particularly consistently – the very dark bead appeared to etch more. Dirty Laundry is an opal white, and looks as expected here.
I expected both of these colours to be reactive so had hope for the silver glass results.
The bead on the right here shows that Indian Summer is not good as a surface encasing colour – it just gets too dark, especially as this bead had a core of Indian Summer as well. The silver glass in that one was Luna 2.1 which is mostly transparent and you can just see some streaks round the middle. The other two beads had a core of 006 clear, encased in Indian Summer, then Luna 2.1 scrolls on the left and Boreas dots in the centre bead. Both promising: the Luna 2.1 scrolls have sharp light edges in some places and fuzzier edges but a defined centre in others – those are the purpler more transparent areas. The Boreas dots have a concentrated very shiny centre, then a ring where it appears the Indian summer has displaced it, then an outer ring which has a shiny area and then a dark sharp outer line.
I then did a pair which have an Indian Summer core, a spiral of silver glass and encased in 006. Very interesting! Boreas is on the left – the core looks extremely dark and the boreas is a dark blue with bright green edges fading to brown. (Ignore the grey bubbles at the bottom – the end of my clear was dirty and I didn’t notice until too late).
The Luna 2.1 bead (right) is the usual pinky-purple and has developed blue-green lines and haze in the centre of each spiral. The edges of the spiral are the lighter amber areas.
Luna 2.1 scrolls on the left, Boreas dots on the right. Both colours get some slight outlining effects, but what is most interesting is the different ways the base has fumed in each case. Under the Boreas, the Dirty Laundry has gone a cold yellow-green, while under the Luna 2.1 it has flushed a warm colour. (Boreas isn’t a great colour to put over pale white or tan opaques because as a transparent purple it will always show brownish).
These next two are fabulous though.
These are both encased in 006. The silver glass in both cases has a mottled and feathered look with noticeable edges. The Boreas on the right is blue-purple and the Dirty Laundry underneath has fumed a darker caramel brown. The Luna 2.1 bead on the left is lovely. The silver glass has again formed dark then light lines in the centre, and the darker amber lines are the gaps between the spirals. The Dirty Laundry hasn’t fumed very far though, leaving cloudy white ends which I love.
Here you can see the Dirty Laundry parts of the Boreas bead – they have still fumed somewhat tan and have darker outlines rather than the fuzzy ones with the Luna 2.1.
Finally, a silver glass pair on Ogre.
Luna 2.1 scrolls and Boreas dots, as before. You can see slight separation lines around the edges of the scrolls, and the Boreas dots are again very shiny and have sharp brown rings around them. Around the beadholes has also tended to go brown. Quite interesting for organic beads.
Two purples here – both a similar colour but with different saturations. They’re both described by CiM as moonstones, so have a little bit of mistiness and aren’t entirely transparent.
The two spacers on the right are etched – you can see they didn’t etch well in the time I left them in, when it was fine for the opaques coming later. This wasn’t entirely surprising, as it tends to happen with moonstones and more transparent opalinos. In hand you can see more easily the slight mistiness of the moonstone.
I made a gremlin – the body has a core of clear, so lightening it up a bit. This gremlin has been experimenting with cosmetics! I added some Gaffer purpur frit on the lips to prevent the teeth showing through, because this colour isn’t dark enough to block that.
This egg has a stripe of Aladdin round the centre – that was a couple of wraps, allowed to melt down and spread. It’s a low saturation with a shadowy edge. (The other colours are caboose and chamomile – chamomile is yellower over the white, and something in the heating and rolling of the surface has made caboose misbehave somewhat with slight devit).
The more saturated moonstone. I had a thicker rod of this, which may have had something to do with it, but I found this one pretty shocky and kept losing chunks when I was carefully rewarming it. It seems to lose heat relatively quickly too, so make sure you’re keeping your bead warm.
Boysenberry again doesn’t etch well, and is really dark when used as spacers. You can still tell they’re purple rather than black, but only just. It’s a good berry colour.
This gremlin again has a clear core, and you can see slightly that it lightens the body. No problem with being able to see through the lips here!
This egg is Effetre white with small and large dots of boysenberry, allowed to move with the heating and shaping. You can see the difference in saturation between the different dot types – the small ones have spread a lot more – and the white has formed separation lines between the dots.
Here’s the two colours side-by-side, so you can see the difference in saturation.
Last week’s nails.
• Revlon white (part of a neon duo set)
• Collection 2000 Hot Looks – Big Hair (the red)
• Pretty – Scatter effect (black dots in whitish grey)
• Sinful Colors Time Off (nail art black)
• Seche Vite top coat
I like the way this came out. I wanted something to try out the scatter polish with. It needs a base under it because it is a very translucent whitish grey with the little black dots in it. It isn’t hugely saturated with glitter either, so you get quite a thick layer of polish with not a great deal of dots, so to layer it up itself to opaque would be tricky.
Big Hair is a lovely bright red that I like a lot.
The Sinful Colors nail art black was a very handy find, also in Poundland. I didn’t actually know it was a nail art one when buying it, I was just after any black, and the label was printed in black… The brush is really nice – very long and thin and great for making the lines.
Oh and this last one was from before. The beads are ornate bicones in a nice creamy coloured base with flame shards applied. The nail polish was Revlon’s Chroma Chameleon aquamarine, which has lilacs at some angles. I put Chit Chat Ariel on top, which is another of Poundland’s. Very pretty blue-aqua hex glitter in two sizes, though again there’s a lot of thick base polish and the glitter’s not so saturated. This was two coats, with Seche Vite stuck on top to get it to actually dry – the clear base is a very jelly one. Still pretty, just don’t try and get full glitter coverage with these!
I’ve been sent some more CiM limited editions to test! I believe some if not all of these will be available in the UK fairly shortly.
Jellyfish is a colour-shifting lavender. It looks bluer under halogens and pinker under incandescents or sunlight.
It is also a very close match in colour to Effetre dark lavender, which is becoming increasingly hard to get hold of since Effetre haven’t made any new batches in a while. The round bead is a jellyfish core, then Double Helix psyche and encased in jellyfish. I can’t say whether it’s the same effect as you get from dark lavender and psyche (anyone around who uses that combo often? I’m still bad at keeping psyche reduction under encasement), but the electric blues from the psyche are pretty good, and if you want a dark lavender-alike for the colour on its own, then this would definitely be up your street.
A lovely deep teal blue.
Sadly, it seems to have incompatibility issues when encasing white, which is a real shame because the combo looks great. These two are Effetre white and you can see multiple cracks.
The next day I made another two, one with peace and another with Effetre just to make sure I hadn’t done something stupid. In this case, the one with peace has the crack, running into the dot, centre right from the top of the bead – the Effetre hadn’t yet at the time of taking this photo, but I wouldn’t be at all surprised if one turns up in a few days. Incidentally, you can see the difference in density between the peace and Effetre white dots – peace is less bright and has more noticeable rings inside the dots.
The heart is marine over Effetre white, gravity swirled. Even with the colour this thin, there are cracks (and very definitely incompatibility ones, at that).
From another angle. The crack comes down from partway through the top lobe, then changes direction towards us. That ain’t thermal.
I’ll need to try it over a few other things – I am guessing light opaques like dirty martini may be ok to use as a base as that’s a bit stiffer. Still a shame!
A pretty transparent green. I haven’t put it side-by-side with any of the other greens yet.
These are painted decals on a clear background, which are also rather fun to do.
(Fear not, there will be more bead and glass posts here too! I just have a slight backlog of nail art ones I wanted to put up).
Background: Jess Moonflower
A midnight blue purple with a satiny sheen finish. When I was wearing it as a single layer with no top coat, the satin effect was much less in evidence. Two layers and a Seche Vite topcoat, however… I like it a lot, it’s a good dark colour but with more interest than black.
Yes, I got some Seche Vite. I now know exactly why so many people rave about it, and also why some people have gone off it. It sets incredibly fast, hard, and stays so shiny. No risk of sheet crinkles being impressed in your nails overnight. However, it does shrink back. You can fix that for the tips by wrapping them (putting polish along the tips first before doing the rest of the nail in stripes as usual), but I find it shrinks back from the sides and base of my nails too, leaving a ridge that you can catch in clothing and will have all your layers of polish coming off in one. It seems to very slowly shrink over time too – not so much a problem on the first day, more of one after a few days.
I also got some Sally Hansen – Green Tea & Bamboo nail strengthener to use as my base coat. Dries a little slowly but seems to be doing good things for my nails’ growth speed and not tearing at the edges.
I made these feather decals with a white called High Maintenance – Milk. These are little polishes that are 2 for £1 from a local market stall and are made in China. The colours vary in opacity but they have some nice bright ones. Milk worked just fine for this application, opacity very good. The other colour in the feathers is Payne’s Grey acrylic paint, because I have misplaced my black nail polish. I always used Payne’s Grey instead of black when painting – just preferred it.
The decals have a layer of clear put down first, then I painted the feathers, then put more clear over the top. You don’t necessarily need to do that if you aren’t using any acrylics. The clear I used here was my Collection 2000 maxiflex. It isn’t a good one for doing this with as it sticks hard to the greaseproof paper and stretches rather when you try to pull it off. It also is slightly misty as a background rather than fully clear after you have done all this. These decals were made on Dec 30th and I used them on Jan 10th. The clear was getting a bit brittle by this point, but no problems using them.
Thumb closeup (my favourite feather)
I just did two per hand because I hadn’t made that many, or considered the size of them at all! Bit large for the smaller nails.
I think I will make a template of my nail sizes that I can put under my decals when I make them. Much easier to judge sizes that way.
You can see the edges of the clear if the light catches them right – it’s better to leave enough clear around so that the decal can cover your whole nail even if the picture doesn’t, but I made these all squished together.
Ghibli nail decals!
I made these at the same time, but they were a present for someone so couldn’t show them until they had been presented :)
Soot spirits and little white Totoros. The set over on the right were made with a different clear and done on a ziplock bag, and came off so much easier than the others. The clear stays clear too. It was Saffron’s clear, which I also got at the market stall (made in UK, you can find masses from them on eBay alongside La Femme). £1 a bottle, works so much better for this – I’ll be using that in future then!
I used another pair of my lampwork headpins for these earrings.
#47 Red Berries
My headpins are the round red base of the earrings, on stainless steel which has a dark patina from the heat. I left them dark rather than polishing them up and put the fritty red and white beads on them before wrapping the rest of the wire into a loop. I made the round earwires in sterling silver with little red Czech glass beads wrapped on. I patinated the silver with liver of sulphur and then tumbled it to give the shiny antique silver finish here.
52 little things links
• Craft Pimp Week 46 thread
• Linda of Earthshine Lampwork Bead and Jewellery Design: http://www.earth-shine.co.uk/
• Sue of BlueBoxStudio: http://www.blue-box-studio.blogspot.co.uk
• Jolene of Kitzbitz Art Glass: http://kitzbitzartglass.blogspot.co.uk